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The play literally begins with the Epilogue of Deathly Hallows, with some crossover lines direct from the book. The pacing was inconsistent and chaotic, the character development is near non-existent, and it was extraordinarily hard to reconcile some of the images the script asked us to imagine.Ī lot of my enjoyment from the script stemmed from nostalgia and my deep love for the books that came before it. Indeed, the script is profoundly flawed when scrutinised by readers unable to watch the play in person. III) it was a story that heavily relied on the magic of theatre and actors, something a reader in Australia would not be able to experience. I) it was written by Jack Thorne, not JKR After all, it was a story that came with several caveats: I have to admit, I had fairly low expectations going into this book. Although I loved many things about the play, it’s still a far cry from the original seven Harry Potter books. Rowling gave it the green light and asked fans worldwide to consider it an ‘8 th book’. However, many of the plot points in this story are simply absurd and outlandish – I can barely believe that J. On the one hand, the trip down memory lane was beautifully nostalgic, and I teared up several times while reading the script. My emotions in regards to the Cursed Child are wildly mixed. If you haven’t had a chance to check out the Cursed Child, please be mindful when you are scrolling through this post to avoid spoilers! The second part will be a spoiler filled section detailing exactly which parts of the script worked or didn’t work for me, and will be marked. The first part is my general, non-spoilery thoughts on the script. Note that I will be splitting this review into two parts. I devoured the story twice in the space of 12 hours, and only my friend borrowing the copy prevented me from reading it a third time. Alas, on the release day I could not help myself – after seeing a couple of photos on twitter of people attending the release party, I quickly ran out to the shops and bought myself a copy. I had originally intended to wait until #ReadThemAllThon to begin reading Cursed Child as my Thunder Badge entry. I also bought my own copy the day of release because it’s Harry Potter and I can’t help myself. This is NOT the 8th book, OK.īook Depository // Amazon // Dymocks // Booktopiaĭisclaimer: I received a copy of this book from Hachette Australia in exchange for an honest review. This edition also includes useful background information including the Potter family tree and a timeline of events from the Wizarding World prior to the beginning of HARRY POTTER AND THE CURSED CHILD.Author: J.
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This revised paperback edition updates the 'special rehearsal edition' with the conclusive and final dialogue from the play, which has subtly changed since its rehearsals, as well as a conversation piece between director John Tiffany and writer Jack Thorne, who share stories and insights about reading playscripts. Rowling, John Tiffany and Jack Thorne, the play opened to rapturous reviews from theatregoers and critics alike, while the official playscript became an immediate global bestseller. The playscript for HARRY POTTER AND THE CURSED CHILD was originally released as a 'special rehearsal edition' alongside the opening of Jack Thorne's play in London's West End in summer 2016. As past and present fuse ominously, both father and son learn the uncomfortable truth: sometimes, darkness comes from unexpected places. While Harry grapples with a past that refuses to stay where it belongs, his youngest son Albus must struggle with the weight of a family legacy he never wanted.
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It was always difficult being Harry Potter and it isn't much easier now that he is an overworked employee of the Ministry of Magic, a husband, and father of three school-age children. The official playscript of the original West End production of HARRY POTTER AND THE CURSED CHILD.